![]() A Closer Review of Corel AfterShot Pro 3ĪfterShot Pro 3 is a large program, with a number of different features that we don’t have time or space to go into. My training as a graphic designer also included courses on user interface design, which helps me sort the good programs from the bad.ĭisclaimer: Corel provided me with no compensation or free software in exchange for this review, nor have they had any kind of editorial review or input on the content. Over the course of my photographic practice, I’ve experimented with a number of different workflows and image editors, giving me a wide range of insight into just what can be expected from a top-notch program. I trained as a graphic designer while teaching myself photography at the same time, eventually working as a product photographer shooting everything from jewelry to artistic furniture. Hi, my name is Thomas Boldt, and I’ve been working with image editing software for over 15 years. The best way to find out is to read this review and then test it for yourself! Why Trust Me for This Review If you’re not interested in doing localized edits, though, AfterShot’s compact one-screen workflow and better initial rendering might be able to convince you to switch programs. Speedy batching is great, but AfterShot’s clumsy localized editing has a long way to go to catch up to Lightroom’s excellent local options. While seems to be faster, there are still some issues that Corel will have to overcome to properly challenge Lightroom. ![]() AfterShot Pro uses its own proprietary algorithm to render RAW images, and it almost always produces better results than ACR. Lightroom uses the Adobe Camera RAW (ACR) algorithm to render images, which often come out with narrower tonal ranges and slightly washed-out colors. One of the most interesting differences between Lightroom and AfterShot Pro is the way they render the same RAW images. Front and center on the AfterShot Pro website is a claim that the latest version handles batch editing up to 4 times faster than Lightroom, and you can read the datasheet they published here (PDF). Is Corel AfterShot Pro Better Than Adobe Lightroom?ĪfterShot Pro is Corel’s direct challenge to Adobe Lightroom’s dominance of the RAW editing market, and they aren’t ashamed to admit it. A Closer Review of Corel AfterShot Pro 3.Is Corel AfterShot Pro Better Than Adobe Lightroom?.You can use both for a mix of wide and narrow changes. Use the 4 zone version for large changes in tonality. the logit function.) The 5 TONE CURVE allows precise tonality changes which don't affect distant parts of the histogram, whereas the 4 TONE CURVE provides greater impact on non-adjacent zones. I have added to this by allowing for contrast reductions (using the inverse sigmoidal function, i.e. SIG CONTRAST is from the Lab Contrast plugin by Thomas Baruchel, who implemented the concept based on. The Blacks tool has gone since ASP has its own. MIDTONES is intended to simulate dragging the (128,128) point upwards or downwards, so it is like brightness in LR. GAM LIGHTEN is more like dragging the curve point upward and so has more impact on the shadow regions. SIG LIGHTEN has been designed to have less impact in the shadows. The LIGHTEN tools roughly simulate dragging the (192,192) point on the Aftershot Curves tool upwards. Therefore some of the dramatic increases in saturation that happened in the former RGB mode when changing tonality should not now occur, unless you overuse the saturation slider! ![]() All other sliders operate on the luminosity channel. The SATURATION tool will change the saturation in HSL (or HCL) space without affecting luminosity. The OPACITY tool will reduce the overall effect of the plugin, but will not reduce the effect of the saturation slider if it is set to zero (on the assumption that you want a B&W conversion). If this is unchecked then Bez will be placed just before the curves stage - like the former RGB option in the Bibble5 version of Bez. The EARLY CHECKBOX will place Bez before the LAB stage in the pipe. The Bez RESET button won't wipe your B5 settings **but be warned** that a CTRL-R will!!! You can press the B5 BUTTON to import your Bibble5 settings as a starting point. Written by Ferdinand Paris (F_P), based on a sample plugin by Barna Keresztes (kbarni) and colour conversion libraries by Dieter Steiner (spoilerhead). The initial motivation was to provide more tonality controls, like the LR tone curve and brightness (mid-tone) tools, and it grew from there. Bezier curve-based tonal controls for AfterShot Pro.
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